The second boss, a dragon, brings Crocomire to mind, with others including a stupendous spider, an enormous Anubis, Ahmanet herself, and her master, the evil god Set. They’re an impressive range of creatures, so gargantuan that the camera often has to zoom out to fit them on screen. It’s possible to rappel between areas, and catch a ride on a helicopter to fast travel.Ī boss dwells in each area. In theory, this should add to the difficulty, but in practice it sees you exiting the save room, killing a couple of foes to gain pick-ups, re-entering the save room so enemies respawn, and repeating the whole cycle again. Instead of saving replenishing your health and ammo, you’re forced to find more of both by harvesting lower-level enemies. It’s a bit of a blow that there are so few environmental puzzles that take advantage of your new abilities, and the save system feels broken. The different areas are unique, from the spooky Graveyard and Forest, to the claustrophobic Subway Tunnels and Prodigium HQ, the post-apocalyptic London Streets, the mammoth Clock Tower, and the final resting place of Ahmanet, the Crusader Tombs. It’s joyously cathartic to plough through enemies that previously gave you trouble. Found late in the game, this overpowered blaster automatically locks onto foes and fries them in fractions of a second. These range from a sub-machine gun and shotgun, to rockets and, best of all, the Plasma Beam. New weapons also assist you in the fight. This makes finding a map online almost a necessity, even if it does spoil the game somewhat. Thing is, unless you’d stumbled upon it earlier, you’d have no idea it even existed, and in a whole other area to boot. You’d be wrong: there’s a power up that protects you from being knocked back when you take a hit that’s a requirement to proceed. You may think you need to persevere, or perhaps need an additional health pack. Enemies spawn in aggravating places, knocking you back down. For instance, one level sees you ascending a clock tower (more of which later). Unfortunately, these suffer from poor foreshadowing and signposting. There are health and ammo upgrades, and new abilities to find, including being able to hang off ceilings, dash, take less damage and deal more, and jump higher. There are many plucked from Egyptian lore, as well as some left-field selections, including bouncing brains, bone-throwing brutes, and flaming skulls, as well as the more earthly bats, boomerang brandishers, and dogs, with plenty more besides. Disappointingly, the jump is finicky and inconsistent, leaving you perplexed at points as to whether it’s your skills or the poor controls.Īnd it’s an eclectic range of enemies that stand in your way. The gameplay is more gun-heavy than Super Metroid, but beware: it’s by no means a run-and-gun, and failure to clean out areas methodically will see you meet your demise quickly. The game differs by letting you hold a trigger to root you to the spot while allowing you to shoot in eight directions, Turrican-style. The controls are pretty standard for anyone who has played a Metroidvania, with buttons for jumping, firing, crouch rolling, changing between your standard blaster and two sub-weapons, and throwing a grenade.
You’ll need to use every trick in the book (and your superior agility) to get it back. So far, so Hollow Knight, but there’s a twist: your zombified alter ego is armed to the teeth with your old arsenal, and isn’t afraid of using it. You’re only equipped with a sliver of health and your starting pea shooter, but find and kill the undead version of your previous self and you regain all your vitality, weaponry, and upgrades.
Immediately following death, you take control of a new member of Prodigium from your last save point. But fail, and something interesting happens. The deck is stacked against you succeeding, with numerous foes and an environment that wants you dead. Before you can take stock of your situation, the tunnels begin crumbling, and it’s a race to get the hell out of dodge.Įscape or no, the game then begins proper: as an agent of the shadowy Prodigium organisation, you must journey through the depths of London to find and destroy Ahmanet by any means necessary. Descending into progressively eerie locales, you meet alien lifeforms, the evil Ahmanet, and your team mates deceased, yes, but very much undead. Rappelling into caves in Iraq, you’re tasked with establishing contact with the ground team. It’s also the rarest of things: a licensed title that supersedes its source material by a country mile.
Beavis and butthead virtual stupidity pixel screen movie#
It’s based on The Mummy movie released in 2017, the one starring Tom Cruise as the hero and Sofia Boutella as the eponymous Mummy. The Mummy Demastered is a Super Metroid game in all but name, and a darn good one at that.
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